Guides
Everybody assumes cover bands all play the same songs. It is the most common thing people say about the category, and as far as we can tell nobody had ever actually counted.
So we did. In July 2026 we captured eleven complete, unfiltered song lists from working Austin bands, 2,766 entries in total, and deduplicated them down to 1,480 unique songs. We did it to build our own setlist from evidence rather than taste. The result was more interesting than the setlist.
Across eleven complete Austin band repertoires and 1,480 unique songs, not one song appears on every list, and two thirds of the songs are played by exactly one band.
Method first, because a number without a method is not worth citing.
We do not publish which bands are in the sample. The counts are aggregate and they stay that way. This is a measurement of a market, not a comparison of competitors, and we do not write those.
Eighteen songs appear on nine or more of the eleven lists. That is the closest thing Austin has to a canon, and it is worth noticing how short it is and how far it ranges.
| Rosters | Song | Original artist |
|---|---|---|
| 10 of 11 | Dancing Queen | ABBA |
| 10 of 11 | Friends in Low Places | Garth Brooks |
| 10 of 11 | Sweet Caroline | Neil Diamond |
| 10 of 11 | Tennessee Whiskey | Chris Stapleton |
| 9 of 11 | Amarillo by Morning | George Strait |
| 9 of 11 | At Last | Etta James |
| 9 of 11 | Can’t Stop the Feeling | Justin Timberlake |
| 9 of 11 | Don’t Stop Believin’ | Journey |
| 9 of 11 | Jessie’s Girl | Rick Springfield |
| 9 of 11 | Man, I Feel Like a Woman | Shania Twain |
| 9 of 11 | Mr. Brightside | The Killers |
| 9 of 11 | My Girl | The Temptations |
| 9 of 11 | Proud Mary | Tina Turner |
| 9 of 11 | September | Earth, Wind & Fire |
| 9 of 11 | Signed, Sealed, Delivered | Stevie Wonder |
| 9 of 11 | Superstition | Stevie Wonder |
| 9 of 11 | Thinking Out Loud | Ed Sheeran |
| 9 of 11 | Uptown Funk | Bruno Mars |
Two things stand out. There is a lot of Texas country at the very top, more than a national list would show. And the range is enormous: 1967 to 2015 in eighteen songs, which tells you these lists are built for rooms with three generations in them.
Here is the whole distribution.
| Played by | How many songs | Share of the 1,480 |
|---|---|---|
| All 11 bands | 0 | 0% |
| 10 bands | 4 | 0.3% |
| 9 bands | 14 | 0.9% |
| 8 bands | 14 | 0.9% |
| 7 bands | 18 | 1.2% |
| 6 bands | 25 | 1.7% |
| 5 bands | 38 | 2.6% |
| 4 bands | 60 | 4.1% |
| 3 bands | 93 | 6.3% |
| 2 bands | 216 | 14.6% |
| 1 band only | 998 | 67.4% |
Only 113 songs, 7.6 percent of the total, appear on five or more lists. Meanwhile 998 songs, just over two thirds of everything, are played by a single band in the sample.
That is the opposite of what people assume, and it makes sense once you see it. Bands converge on a small set of songs that reliably fill a floor, because those songs work and everyone finds that out. Then they differentiate on everything else, because that is the only place left to differentiate.
About a hundred songs that nearly everybody carries. Reliable, and almost useless for telling two bands apart. If a band’s pitch is that they play these, they have told you nothing.
Two thirds of the repertoire, and where a band’s actual character lives. What they reach for at eleven o’clock, what lane they are genuinely good in, and whether any of it overlaps with what you like.
Ask about the tail. “Do you play Uptown Funk” has a predictable answer and tells you almost nothing. Better questions:
That last one matters more than the repertoire size, and it is covered in what a live band plays during a ceremony. The rest of the booking conversation is in what to ask a band before you book them.
Our own answer is published in full: the complete setlist, all thirty-nine songs in three sets, each with the artist who recorded it first. It was built from this data.
Four honest limits, and they matter more than the headline.
Not as much as people assume. Across eleven complete Austin repertoires, no single song appeared on every list, and about two thirds of the 1,480 unique songs were played by only one band. The genuinely shared core is roughly a hundred songs.
The eleven repertoires we counted averaged around 250 songs each across 2,766 total entries. A published list is a claim about what a band can play rather than a record of what it plays on any given night, so treat the number as a ceiling.
Ask what they play outside the obvious hundred. The shared core is close to identical between bands, so the tail and their willingness to learn a specific request are the two things that actually differ.
Ask about the setlist, the show, or what we need from your venue. If you want a date looked at, I can send it straight to the band.